The first time I read A Game of Thrones was on a Sunday afternoon.

The cover was black and white, the title was the title of a fictional city, and the cover illustration was a picture of a sword fighting champion in the middle of a field of red-and-white flames.

I was 12, and it had already sold more than 100,000 copies.

A few years later, I was hooked.

A Game Of Thrones is the best fantasy novel I’ve ever read.

It’s a classic.

It is the work of George R.R. Martin, and I can confidently say that, as an adult, I am in love with the book.

Martin has been writing for more than 50 years, and his books have sold more copies than any other fantasy series in the English-speaking world.

In a way, the world has never been so rich in fantasy.

In the early days of the modern world, stories were more of a genre than an artistic form, but in the last few decades, they’ve become the most important art form in the world.

I’m an artist.

I’ve been painting my whole life, but my love for fantasy is the one thing I’ve never quite mastered.

It has an infinite capacity to inspire.

It makes me laugh.

I grew up in a working-class suburb of Sydney, a suburb that was a bit of a hub for all kinds of artists, from children’s books to comic books to music videos to books about the arts.

A lot of these artists had come from working- class backgrounds.

My parents are both writers.

We moved to Sydney to study, and my father was a schoolteacher, and he worked in the bookshops and the cinema.

My mum was a writer.

My dad, by the way, was a very talented artist.

He was a poet, a novelist, a storyteller, and, at the same time, a successful businessman.

He built a whole business from his own personal writing and poetry.

He had a passion for storytelling, and when he got to the publishing stage, he was able to turn his writing into successful books and films.

But he was also an amazing businessman, which meant he was very successful in his own right.

He did a lot of other business ventures, and one of them was selling fantasy novels.

So, as a kid, I loved fantasy.

I loved all the writers.

I thought they were the greatest, and as I got older I was fascinated by all the different kinds of books.

I remember a couple of books, which I think were A Song of Ice and Fire, when I was 11.

I think I read a couple when I went to school.

One was a collection of stories called The Winds of Winter.

It was a children’s book, and there was a whole bunch of dragons, and things were about to be set in Westeros.

I read that book a couple times.

Then I read the novels by George R R Martin, because they were really good.

They were great stories, and they were very entertaining.

But one of the things that fascinated me the most was that George R Martin really wanted to explore some of the darker themes of literature.

That’s why he did The Winds Of Winter.

He wanted to do the story of a family, and that’s how the whole series came together.

There was this incredible sense of horror and the longing for a place that was not quite the one you knew.

The whole series was set in a fantasy world, and you had these characters who were so well-drawn that they were recognisable from the book, but they had these dark secrets.

There were a lot more darker themes in that book than in anything else, and Martin has had to make some difficult choices.

In some ways, The Winds was Martin’s answer to The Lord Of The Rings.

Martin wanted to write about dragons, the dark, bloody world of the Middle Earth, but he also wanted to make sure that all the people who lived there, like the heroes, were really relatable.

Martin decided that the best way to do that was to give these characters a kind of humanisation.

That was the most difficult thing he had to do, because the books are about family.

But that’s what the books were about.

They had this dark, violent, bloody dimension to them, and a lot in those books is about the human condition, and how people need to come together and deal with those things.

They’re also about the love of a mother and children, and about a father and a daughter.

They all relate to the human experience, but sometimes that humanisation also goes beyond that.

The books are a kind for children, but for adults it also has an emotional dimension.

The first book, A Dance With Dragons, is about an entire family trying to survive a war.

There are dragons, but there’s also human tragedy.

The second book,

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